The Dixie Chicks, that is.
This isn't the first time that big media companies have barred them from the
airwaves, but it is the first time that NBC and the new CW network have. It
appears that once again the Dixie Chicks have exhibited public disapproval of
the Bush administration and once again the media have answered by censoring
them. This bodes ill for the future of free speech, at least what's left of it
in America.
Submitted by Bob Burton on
The Australian Broadcasting Corporation, a government-funded public broadcaster, has axed a popular weekly satirical current affairs program after one of its co-hosts, Corinne Grant, participated in protests against draconian changes to industrial relations laws.
Submitted by Judith Siers-Poisson on
Product placement in movies and on television is expected to triple by the end of the decade according to a report issued by PQ Media.
Submitted by John Stauber on
David Carr examines Ann Coulter's simple PR formula for marketing her best-selling books: vile hate speech echoed in the mainstream media.
Submitted by Judith Siers-Poisson on
Submitted by Sheldon Rampton on
"The internet has added a whole new dimension and level of artistic sophistication to anti-war and anti-imperialist art and propaganda during the Iraq war and surrounding events," writes Kari Lydersen.
Submitted by Diane Farsetta on
"To mark the 60th anniversary of Victory in Europe Day," London's National Archives launched an online exhibit of "250 images created for Britain's Ministry of Information during the Second World War - images intended to 'inform and inspire' the nation, as well as influence overseas opinions." The Art of War exhibit's propaganda section "breaks its material into 'Home Front' (featuring such themes as warnings against 'careless talk'), '
Submitted by Diane Farsetta on
"Back when Mel Gibson's movie 'The Passion of the Christ' was arousing passions nationwide, a promotion packet arrived at local public radio station KAZU," writes Karen Ravn in California. It included "a transcript of questions an enterprising reporter might want to ask Jim Caviezel, the movie's star," and "a CD of Caviezel-recorded answers." As KAZU's news director at the time, Bernhard Drax, described, "The transcript would say, 'Hi, Jim, how are you?' and on the CD, Jim would say, 'I'm fine.
Submitted by John Stauber on
Sheldon Rampton and John Stauber, co-authors of the Center's 2003 book Weapons of Mass Deception, appear in filmmaker Danny Schechter's latest movie of the same title, but the movie is completely the creation of Schechter. A review on the Portland Independent Media website asks "what do you get when you cross relaxed media ownership laws, the military industrial complex, and public opinion?
Submitted by Laura Miller on
Check out the new book SLICK by first-time novelist Daniel Price. SLICK's anti-hero protagonist, Scott Singer, works "in the field of perception management, although the less colorful term is 'media manipulation.' We're the CIA of PR, the sublime little gremlins who live just outside your senses, selling you products and concepts without you even knowing. ... I've conspired with the gun people, schemed with the liquor people, toiled for tobacco, and moiled for Monsanto. I've pushed polluters and promoted porn. I've shilled for Shell and lied for Tide.
Center for Media and Democracy (CMD)
520 University Ave, Ste 305 • Madison, WI 53703 • (608) 260-9713
CMD is a 501(c)(3) tax-exempt non-profit.
© 1993-2025