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"Fast Food Nation" mega-selling author Eric Schlosser must be doing something right. He's under vicious attack from food industry lobbyists and front groups mimicking his book title in their website smearing him. Long time Fleishman-Hillard food flack Becky Johnson and her fellow spinmeisters risk publicizing Schlosser's writings in their over-the-top efforts to condemn him.

The industrial food lobby is freaking-out over "Chew On This", his new book with Charles Wilson aimed at youngsters, and the fact that his "Fast Food Nation" is being made into a major Hollywood movie with the same title. Best Food Nation is the food industry's sound-alike website funded by the American Farm Bureau Federation, American Meat Institute, National Cattlemen's Beef Association, National Council of Chain Restaurants, and 14 other food lobbies. The website highlights anti-Schlosser rants by industry-funded front groups including Heartland Institute and the American Council on Science and Health.

One news director says, "I have been instructed by corporate not to talk to you."

Hours after the Center for Media and Democracy released our study on television stations' widespread and undisclosed use of corporate video news releases (VNRs), a major organization of broadcast news executives issued its response.

"The Radio-Television News Directors Association strongly urges station management to review and strengthen their policies requiring complete disclosure of any outside material used in news programming," read the statement. RTNDA went on to caution that decisions involving "when and how to identify sources ... must remain far removed from government involvement or supervision."

Unfortunately, RTNDA's statement conflates "sources" with broadcast material funded by and produced for outside parties. It also conveniently ignores that the U.S. Federal Communications Commission, under its authority to regulate broadcasters' use of the public airwaves, already has disclosure requirements (PDF) on the books. But RTNDA's stance does point to an important, underlying issue: how to ensure both news audiences' right to know "who seeks to influence them," and the editorial freedom of newsrooms.

I'm listening to Neil Young's new album, Living With War. It's not my first time; I was lucky enough to be at a private listening last week in California. But now, along with millions of others connected to the Internet, I'm hearing it free of charge through my computer speakers, courtesy of Mr. Young and his absolutely brilliant bunch of guerrilla marketers and movement builders.